Cinema 2: The Time-Image

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Cinema 2: The Time-Image

Cinema 2: The Time-Image

Gilles Deleuze, Hugh Tomlinson, Robert Galeta

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როგორ მოგეწონათ ეს წიგნი?

როგორი ხარისხისაა ეს ფაილი?

ჩატვირთეთ, ხარისხის შესაფასებლად

როგორი ხარისხისაა ჩატვირთული ფაილი?

This text continues the major reassessment of cinema begun in Deleuze's "Cinema I: The Movement Image." In this volume, Deleuze is concerned with the representation of time in film and with the cinematic treatment of memory, thought and speech.

კატეგორია:

წელი:

1989

გამომცემლობა:

Univ of Minnesota Pr

ენა:

english

გვერდები:

352

ISBN 10:

0816616760

ISBN 13:

9780816616763

ფაილი:

PDF, 5.89 MB

IPFS:

,

english, 1989

ონლაინ წაკითხვა

ხორციელდება კონვერტაციის -ში

კონვერტაციის -ში ვერ მოხერხდა

შესაძლოა დაგაინტერესოთ

Gilles Deleuze — Difference and Repetition

Henri Bergson — Matter and Memory

水無月すう — 天降之物第14卷

德勒兹 — 时间-影像

吉尔·德勒兹著 — 运动影像

Roland Barthes, Stephen Heath — Image-Music-Text

Karel Reisz, GAVIN MILLAR — Technique of Film Editing, Reissue of 2nd Edition

Walter Benjamin — The Work of Art in the Age of Mechanical Reproduction

Sergei Eisenstein — Film Form: Essays in Film Theory

Geoffrey Nowell-Smith — The Oxford History of World Cinema - The Definitive History of Cinema Worldwide

Annette Kuhn, Guy Westwell — A Dictionary of Film Studies

Amy Villarejo — Film Studies: The Basics

Gilles Deleuze, Janis Tomlinson — Nietzsche and Philosophy

Gilles Deleuze, Claire Parnet — Dialogues

Gilles Deleuze, Constantin V. Boundas — Empiricism and Subjectivity

Gilles Deleuze; Constantine V. Boundas — The Deleuze Reader

Gilles Deleuze, Martin Joughin — Negotiations: 1972-1990

Gilles Deleuze, Felix Guattari, Hugh Tomlinson, Graham Burchell — What Is Philosophy?

Gilles Deleuze, Paul Patton (translator) — Difference and Repetition

Christian Metz — Psychoanalysis and the Cinema: The Imaginary Signifier

Andrey Tarkovsky, Kitty Hunter-Blair — Sculpting in Time: Tarkovsky - The Great Russian Filmmaker Discusses His Art

David A. Cook — A History of Narrative Film

Gilles Deleuze — Cinema 2: The Time-Image

Henri Bergson — Time and Free Will: An Essay on the Immediate Data of Consciousness

Todd May — Gilles Deleuze: An Introduction

David Bordwell — The Way Hollywood Tells It: Story and Style in Modern Movies

Marilyn Fabe — Closely Watched Films: An Introduction to the Art of Narrative Film Technique

André Bazin — What Is Cinema?

André Bazin — What Is Cinema? Volume 2

Per Persson — Understanding Cinema: A Psychological Theory of Moving Imagery

Michael Hardt, Antonio Negri — Empire

Walter Benjamin (author); Rolf Tiedemann (German Editor); Howard Eiland (Translator); Kevin McLaughlin (Translator) — The Arcades Project

Vivian Sobchack — The Address of the Eye: A Phenomenology of Film Experience

Barbara Kennedy — Deleuze and Cinema: The Aesthetics of Sensation

David Martin-Jones — Deleuze, Cinema and National Identity: Narrative Time in National Contexts

James Williams — Gilles Deleuze's Philosophy of Time: A Critical Introduction and Guide

Brian Hulse, Nick Nesbitt — Sounding the Virtual: Gilles Deleuze and the Theory and Philosophy of Music

Charles J. Stivale — Gilles Deleuze: Key Concepts.

Paola Marrati — Gilles Deleuze: Cinema and Philosophy

Murray Pomerance, R. Barton Palmer — Thinking in the Dark: Cinema, Theory, Practice

Gilles Deleuze, Felix Guattari — Anti-Oedipus: Capitalism and Schizophrenia

Gilles Deleuze — Kant's Critical Philosophy: The Doctrine of the Faculties

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